Food & Culture


Yiayia's Hands

Reality Cooking Show/Picking Cherries

Taboo

Pa Catalan

Sunday's School

Cooking as an Art Form

Sunday's School

Food and Culture at Raven

 

The Bride Frightened of Seeing Life Opened

by Sharon Carter

 

         La novia que se espanta de ver la vida abierta

                                Painting by Frida Kahlo 1943

 

The bride wears white, peeks over split
watermelons, hands poised on raw flesh.
 

Already black tears stud the cut surface,
though now she believes they are seeds.
 

Overripe, arched, bananas squeeze
between melons. One coconut sheds
 

a tuft of hair, another weighed down
by its belly, squats and stares with mean
 

little eyes. A green katydid crosses
on wiry legs, disguised as a large leaf.
 

The bride considers her safety, when even
a leaf may be a lie. A wedge of papaya
 

offers vulval walls glistening with juice.
Meanwhile the pineapple sits boldly intact,
 

organza ribbons spiking the air. It leans
slightly, a female head nudging the avocado
 

whose shape hints at its inner secret.
Two guavas join as ovaries, watched
 

by a screech owl who reveals only one wise eye.
The bride withdraws, overshadowed by her future.

 


Sharon Carter immigrated in 1979. She has a medical degree from Cambridge University and currently works in Kitsap county. Her poems have been published in Exhibition, Heliotrope, Pandora, Mediphors, Pontoon 3, and Seattle’s On the Buses. Her visual art can be seen in Spindrift, Raven Chronicles, Disquieting Muses, and Switched­on Gutenberg. A series of digital prints was shown at the Amy Burnett gallery in Bremerton, Washington in conjunction with The Second Sunday Reading Series. She was a recipient of a Hedgebrook residency in 2001 and a Jack Straw Writers award in 2003.