Food and Culture at Raven
The Bride Frightened of Seeing Life Opened
by Sharon Carter
La novia que se espanta de ver la vida
abierta
Painting by Frida Kahlo
1943
The bride wears white, peeks over split
watermelons, hands poised on raw flesh.
Already black tears stud the cut surface,
though now she believes they are seeds.
Overripe, arched, bananas squeeze
between melons. One coconut sheds
a tuft of hair, another weighed down
by its belly, squats and stares with mean
little eyes. A green katydid crosses
on wiry legs, disguised as a large leaf.
The bride considers her safety, when even
a leaf may be a lie. A wedge of papaya
offers vulval walls glistening with juice.
Meanwhile the pineapple sits boldly intact,
organza ribbons spiking the air. It leans
slightly, a female head nudging the avocado
whose shape hints at its inner secret.
Two guavas join as ovaries, watched
by a screech owl who reveals only one wise eye.
The bride withdraws, overshadowed by her future.
Sharon
Carter immigrated in 1979. She has a medical degree from
Cambridge University and currently works in Kitsap county. Her poems have
been published in Exhibition, Heliotrope, Pandora, Mediphors, Pontoon 3,
and Seattle’s On the Buses. Her visual art can be seen in
Spindrift, Raven Chronicles, Disquieting Muses, and Switchedon
Gutenberg. A series of digital prints was shown at the Amy Burnett
gallery in Bremerton, Washington in conjunction with The Second Sunday
Reading Series. She was a recipient of a Hedgebrook residency in 2001 and a
Jack Straw Writers award in 2003.
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