Ingri (Rachel) Quon: Art at the Hopvine Pub on Capitol Hill


Ingri (Rachel) Quon, “Color Vacation,” prints on canvas from original watercolors.

April 3-May 6, 2017
Opening Reception April 6, 7pm; Closing Reception May 5, 7pm, Hopvine Pub, 507 15th Avenue East, Capitol Hill.

Quon lets inspiration flow through water and color to explore her environment and play with organic inspired shapes. Her vibrant watercolors are a catalyst for appreciating nature more deeply and seeing beauty in color and form.


2017 Art shows at the Hopvine Pub on Capitol Hill. Curated by Les Morely; Co-sponsored by the Raven Chronicles.

SoulFood Coffee House: March 16, 2017 — Raven Chronicles

Raven Chronicles is a Seattle-based literary organization established in 1991. It publishes and promotes work that embodies the cultural diversity of writers and artists living in the Pacific Northwest and other regions. It publishes two print magazines each year (summer and winter), and original work on its website. This reading features prose and poetry, and maybe a surprise or two.

Reading for Raven Chronicles are Anna Bálint (poetry), Robert Francis Flor (poetry), David Halpern (stories), Paul Hunter (poetry), and Maliha Masood (fiction).

https://sites.google.com/site/soulfoodpoetrynight/future-readings/march-16-2017

Anna Bálint is the author of Horse Thief, a collection of fiction that was a finalist for the Pacific Northwest Book Award. She has taught at El Centro de la Raza, Antioch University, and Hugo House. She is a teaching artist with Path With Art and Recovery Café in Seattle.

Robert Francis Flor was raised in Seattle’s Central Area/Rainier Valley. Several of his poems were published in anthologies: Voices of the Asian American Experience, from the University of Santa Cruz, and Where Are You From?, Thymos Book Project, Oregon. His chapbook, Alaskero Memories, was published by Carayan Press (2016).

David Halpern completed his Master’s degree at Brown University, and worked as a political writer and screenwriter for a decade before switching to a career making comic and wildlife flipbooks. He works as a Washington State Park Ranger, and writes with humor about the not-always-funny act of aging.

Paul Hunter’s work has been published in seven books and three chapbooks. His first collection of farming poems, Breaking Ground, Silverfish Review Press, was reviewed in the New York Times, and received the 2004 Washington State Book Award. He has been a featured poet on The News Hour.

Maliha Masood was born and raised in Pakistan. She is the author of travel memoirs Zaatar Days, Henna Nights: Adventures, Dreams, and Destinations Across the Middle East (Seal Press, 2006) and Dizzy in Karachi: A Journey to Pakistan (Booktrope Editions, 2013). Her work has been featured on NPR and PBS.

Raven’s Pushcart Prize Nominations for Work Published in 2016

The editors of Raven Chronicles nominate the following writers for their work published in Raven Chronicles, A Journal of Art, Literature & The Spoken Word,  Vol. 22, Celebration issue, July, 2016:
1. Christine Clarke, “Twenty”— poem, pg. 54.
2. Nancy Flynn, “Gift Event for Our New Gilded Age”— poem, pg. 73.
3. Dawn Karima, “Homecoming Celebration on the Fifth of July”— prose-try, pg. 48-49.
4. Kevin Miller, “On Jane’s Table Everything’s…— poem, pg. 63.
5. Jesse Minkert, “Basket Weaver”— poem, pg. 33.
6. Armin Tolentino “Watching My Son Bloom into
Summer”— poem, pg. 100.

Raven Chronicles Journal Vol. 23: Jack Straw Writers Program, 1997-2016

js-writers-collage-smallercover-js-writers-collage-2016RAVEN CHRONICLES PRESS & 

JACK STRAW CULTURAL CENTER

present

A Reading & Reception

for

Raven Chronicles Journal Vol. 23:

Jack Straw Writers Program, 1997-2016

November 18, 2016

Friday, 7:00pm., Free,

Jack Straw Cultural Center, 4261 Roosevelt Way N.E., University District, Seattle

MC Kathleen Flenniken

Readings by:

Joan Fiset, Donna Miscolta, Deborah Woodard, David Halpern, Suzanne Bottelli, Mercedes Lawry, Elizabeth Austen, Kathryn Hunt, Janee J. Baugher, James Reed, Maliha Masood, John Burgess, Jourdan Keith, Laurie Blauner, Doug Nufer, Wendy Call, Sharon Cumberland, Rachel Dilworth, Bill Carty, Martha Clarkson, Harold Taw, Sharon Hashimoto, Josephine Ensign, Margot Kahn, Martha Breiner, EJ Koh.

Raven Chronicles Press is indebted to our 2016 co-sponsors for partial funding of our programs: Seattle’s Office of Arts & Culture; 4Culture / King County Lodging Tax; ARTSWA/Washington State Arts Commission with NEA project support; and Jack Straw Cultural Center / Joan Rabinowitz, for co-sponsoring Raven readings, and for unflagging support for writers, literary groups and music artists. And all Raven subscribers and donors.

Contact Information: ravenchronicles.org

206.941.2955, editors@ravenchronicles.org, Mailing address: 15528 12th Ave. NE, Shoreline, WA 98155

A Reading & Reception, Celebrating a new book & CD: Words From the Café, from Raven Chronicles Press

Cover photo: Ginny Banks
Cover photo: Ginny Banks

RAVEN CHRONICLES PRESS & JACK STRAW CULTURAL CENTER
present

A Reading & Reception, Celebrating a new book & CD:

Words From the Café

with MC/Host Anna Bálint

October 7, 2016, Friday, 7:00pm., Free

Jack Straw Cultural Center, 4261 Roosevelt Way N.E. University District, Seattle

Readings by:

• Johnnie Powell

• Taumstar

• Angel Ybarra

• Bang Nguyen

• Megan McInnis

• Tamar Hirsch

• Donald W. Butler

• Steve Torres

• Esmeralda Hernandez

• Mary Jo El-Wattar

Every Friday at Seattle’s Recovery Café, people struggling with addiction or mental illness or homelessness come together in Anna Bálint’s Safe Place Writing Circle to write and share writing. Here they discover their own unique voices and ways of shaping language to write stories and poems as part of reclaiming their lives. Anna’s 2015 residency with the Artist Support Program at Jack Straw, and funding from 4Culture, made it possible to capture some of the magic that takes place each week in Words From the Café, a book/CD compilation. These are voices that need to be heard. Their literary diversity and range of human experience fly in the face of prevailing stereotypes of some of the most marginalized members of our society.

Thanks to Recovery Café, 4Culture, Jack Straw Cultural Center and Raven Chronicles for making this program possible. Contact Information: ravenchronicles.org

206.941.2955, editors@ravenchronicles.org, Mailing address: 15528 12th Ave. NE, Shoreline, WA 98155

Publication Party, Sept. 17th, for Peter Ludwin’s new book, GONE TO GOLD MOUNTAIN

Ludwin coverRaven Chronicles is hosting a coming-out, publication party for Peter Ludwin’s new book, Gone to Gold Mountain, MoonPath Press. Join us Saturday, September 17th, 3-7 p.m., 15528 12th Avenue NE, Shoreline, 98155. Peter will read from his new book, which will be for sale, along with several of his earlier works. Raven’s new issue, “Celebration, Vol. 22,” will also be on sale.

Bring a musical instrument; bring a dish or drink to share: potluck dinner.

RSVP Publication Party: Sept. 17th, 2016, 3-7 pm.
15528 12TH Avenue NE, Shoreline 98155
Potluck dinner
Reply: editors@ravenchronicles.org; 206-941-2955


Peter Ludwin about his book:  The focus of Gone to Gold Mountain, my new book from MoonPath Press, is the massacre of over thirty Chinese gold miners in Hells Canyon on May 25, 1887, by a gang of horse thieves based in Oregon’s Wallowa County. A fair number of the poems are of the persona variety in voices as disparate as a Chinese prostitute, the gang leader, a wife left behind in China, and the clerk of Wallowa County, who, along with many local residents, didn’t want the story told. A sub-theme is the degree to which the Chinese presence in the 19th century American West has largely been forgotten.

Blurbs for Gone to Gold Mountain:

“In Gone to Gold Mountain, poet Peter Ludwin brings to life the little-known story of Chea Po and his fellow Chinese gold miners, massacred in 1887, by Eastern Oregon pioneers. Ludwin embodies Chea Po and his experiences of breathtaking racism, homesickness, and dislocation. He imbues these persona poems, letters, and laments, with the finely-drawn landscapes of Hells Canyon and China, glowing lanterns, and an eagle circling the canyon rim. Chea Po seems to have haunted Ludwin until finally, here, his life and death are told justly. We are the richer for it.”—Kathleen Flenniken

“Peter Ludwin is a writer who knows there are poems no one asks for, but everyone needs—so he sets out to write them. In this book, he travels to a place of massacre, then enhances the story of trauma with longing, devotion, hope, and the unfurling tendril of life that reaches generations beyond a tragedy. The poems speak as letters, news items, memories, secret notes of lover to lost soul. Ludwin’s lens of imagination pierces a hidden past at a remote place, and his lyric archive invents what might otherwise be forgotten, what he calls ‘the speckled rhythms’ of change. Read this book for insight into a hidden chapter of international history, and to break a code of silence across cultures. You will recognize more poems need rich research, and history needs to sing.”—Kim Stafford

“Ludwin’s haunting poems resurrect an era of vehement anti-Chinese sentiment and the U.S. by focusing on the Hells Canyon massacre in 1887—a segment of U.S. history conveniently omitted from the textbooks. To a great extent, the work’s strength lies in its understated eloquence, riveting imagery, and frequent use of persona poems in different voices. With great insight, skill and compassion, Ludwin has produced a fine collection that succeeds in fleshing out this nightmare episode from our past.”—Diana Anhalt, author of because there is no return.


Peter Ludwin is the recipient of a Literary Fellowship from Artist Trust and the W.D. Snodgrass Award for Endeavor and Excellence in Poetry. His first book, A Guest in All Your Houses, was published in 2009 by Word Walker press. His second collection, Rumors of Fallible Gods, a two-time finalist for the Gival Press Poetry Award, was published in 2013, by Presa Press. Gone to Gold Mountain is forthcoming from MoonPath press. A Pushcart Prize nominee and a poetry finalist for the 2016 Tucson Festival of Books Literary Awards, Ludwin’s work has appeared in many journals, including Atlanta Review, The Bitter Oleander, The Comstock Review, Crab Orchard Review, Nimrod, North American Review, Raven Chronicles and Prairie Schooner. He works for the Kent Parks Department.

Larry Crist: recipient of Marion Kimes Memorial Open Mic Award

Marion Kimes Memorial Open Mic AwardOn July 1, 2016, Larry Crist was awarded the first Marion Kimes Memorial Open Mic Award for his dedication to/and support of the spirit of Open Mic readings. He received a cash award of $100.00.

I was surprised, shocked, flabbergasted to be the first recipient of the Marion Kimes Open Mic Award.

I met Ms. Kimes, in 1992, at Red Sky Poetry Theatre, one of the first people to welcome me to Seattle. I had moved here for theatre with a handful of poems and stories. I had taken a few writing classes, though I had never read my own out loud, nor had sent much out.

Marion was a dynamo of energy, good cheer, and selfless enthusiasm for everybody’s writing and participation. She was especially welcoming to newcomers. As an actor, I was wary of another cliquish caste system, one very much evident in the poetry scene.

I felt in awe of the many new voices I was experiencing, commanding the room’s attention. And with Marion as everyone’s advocate, respect was always widely generated around the room.

As I attended other open mics, while auditioning around town, I wasn’t sure whether I was a writer wanting to act, or an actor wanting to write. Both required endless homework and, hopefully, an audience. With theatre you are continually selling oneself; with writing, however, you are selling something far more personal and unique, intangible perhaps, certainly not an obvious commodity as in theatre.

When performing a show, I’d get nervous about everything—external things beyond my control—whereas with writing, all that mattered really were the words themselves. Performance was a matter of presentation. To be clear, be yourself, and communicate to those listening to what you had placed upon the page.

From open mics, I discovered the most effective time to edit was about an hour before you were going to read. Like a lot of younger poets, my reading and listening to poetry, not my own, was minimal. I was resistant to the idea of “poetry,” which, at the time, I would have said seemed precious, manipulative, and unduly clever.

My enthusiasms began to shift and open mic became my drug-of-choice, and poems—such as I wrote them—weren’t ready or finished until, like a tired actor, they had made the rounds through a series of venues, tweaking them along the way.

Marion was always amicable and a generous resource, welcoming to all poetic fledglings, eager to encourage or reinforce whatever positive experiences therein gleaned. She might stop someone who was nervous and have them begin again, only, “take it a tad slower this time,” said in her soft Texan twang and a calming smile all the while.

Something I recall regarding a utopian society—put everyone first and be kind and respectful to all, and while I didn’t necessarily ever hear Marion say this, this is what I observed from her in my formative years reading in Seattle’s open mic scene.

—Larry Crist


Larry Crist lives in Seattle and is originally from California, specifically Humboldt County. He has also lived in Chicago, Houston, London, and Philadelphia, where he attended Temple University, receiving an MFA in Theatre. He’s been widely published. Undertow Overtures is Larry’s first poetry collection, published by ATOM Press, in 2014.

20015 Pushcart Prize Nominations

The editors of Raven Chronicles nominate the following writers for their work which were published in Raven Chronicles, A Journal of Art, Literature &  The Spoken Word,  Vol. 21, Laugh. Laugh? Laugh! issue:

  1. Susan J. Erickson, “Elizabeth Barrett Takes Up Tweeting”— poem, pg. 34.
  1. Vince Gotera, “How to Write a Sestina”— poem, pg. 42.
  1. Paul Hunter,“Clownery”— poem, pgs. 72-73
  1. Tiffany Midge,“Sex, Love, and Frybread”— fiction, pgs. 36-41.
  1. Theodore C. Van Alst, Jr., “Bumblebee and The Cherokee Harelip”— fiction,  pgs. 54-59.
  1. Vladimir Vulović, “Borka”—essay, pgs. 12-15.

Continue reading 20015 Pushcart Prize Nominations